Festsalen is the hotel's largest ball room and has been the setting for countless large and small events since 1927. The walls and ceilings are decorated with gold leaf, and the Venetian chandelier with curved arms was made in Hungary by Italian glass artists. The chandelier is complemented by smaller chandeliers in the corners of the room.

In continuation Festsalen is a cozy fireplace room, from which there is access to a small outdoor balcony, as well as a private party entrance from Sct. Mortens Gade. If you wish to hold a reception in connection with the party, this can be done in adjacent halls.

The hotel's smallest, but perhaps most beautiful, room is named after artist Erik A. Frandsen, who decorated the room with nine built-in scagliola paintings in marble style. The Frandsen Hall was reopened in 2016, after being called the Gobelin's Hall for many years.

The Frandsen Hall is ideal for intimate parties or as an adjacent room for receptions or welcome parties, as it can be opened up to the other rooms. Guests often say that the Frandsen Hall's skylight with chandelier creates an outstanding light. In continuation of the Frandsen Hall is the small spectacular Cabinet, which provides an opportunity for a rest or a cozy conversation.

The Gauguin Hall is named after the Danish-French sculptor and ceramist Jean René Gauguin, son of the world-famous artist Paul Gauguin. Jean René Gauguin has particularly used blue and turquoise as the primary colors in the room's six ceramic landscape reliefs. The images have a direct reference to the landscape of Randers, including the Gudenå River.

The artistic hall is perfect for medium-sized parties. The hall's large skylight creates a fantastic light in the room, and stands in beautiful contrast to the blue colors.

The Gauguin Hall was decorated by the hotel's former owner, Wilhelm Mathisen, in the 1950s under the name Kuppelsalen and was inaugurated at the hotel's 100th anniversary in 1956.

One of the hotel's unique rooms is the Cabinet, which exudes history and intimacy.

In the late 1920s, the painter Carl I. Christensen took the liberty of decorating all the walls, which are still in their original condition. It is a fantasy in oil on one large canvas with an oriental panorama with lush landscapes. Some call the Cabinet the Love Salon, as you can see dancing and playing between animals and musicians. The doors are decorated with inlaid wood patterns (marquetry).

The cabinet is ideal for a rest, a cozy intimate conversation or simply for admiration during your company in one of the large rooms.